I don’t have anything clever or illuminating to add; just wanted to confirm that I love that movie. And Strelnikov is totally Chernyshevsky’s ideal revolutionary (“They say he lives on bread and water!”) made monstrous by power. Also, Klaus Kinski’s anarchist is practically worth the entire running time of that movie all on his own.
]]>Strelnikov incorporates a lot of elements from Trotsky, but has some substantial personality differences and at least in the movie he’s portrayed as somewhat more of a loose cannon rather than the chief of the Red Army apparatus (I haven’t read the novel, so I wouldn’t know if that’s a faithful translation). Of course he also ends up differently from Trotsky; partly I guess because the character never attained the power that Trotsky did. I think that Strelnikov, as a personality, probably also has a lot to do with Pasternak’s take on the revolutionary-fanatic-ascetic ideal that Chernyshevsky immortalized, and that many of the Russian revolutionaries (especially but not only the Bolsheviks) tried to live out.
The anarchist appears briefly in the scenes on the train to Siberia, where he’s chained into a bunk for transport to voluntary labor
in the camps. The character’s played by Klaus Kinski, taunts the guards, shouts Long live anarchy!
etc.
What a film. I remember when Strelnikov said to Zhivago: “There is nothing in this world more important to me than the revolution, even Lara”. I’ve known that personality type, so single minded as to renounce love and friends and all those things thae make up a full life. But at the same time I can sympathize…
I’ll have to watch it again. I don’t remember any anarchists.
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