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Posts from 2025

Overdue Process

Shared Article from The Foundation for Individual Rights and Expression

FIRE demands answers from Trump admin officials on arrest of Mah…

Agents from the Department of Homeland Security arrested a lawful permanent resident who has been involved in activism related to the current conflict…

thefire.org


. . . Demonstrations occurring on Columbia’s campus since Oct. 7, 2023, have included both constitutionally protected speech and unlawful conduct, but the government has not made clear the factual or legal basis for Mr. Khalil’s arrest. The statements the government has released suggest its decision may be based on his constitutionally protected speech. This lack of clarity is chilling protected expression, as other permanent residents cannot know whether their lawful speech could be deemed to align to a terrorist organization and jeopardize their immigration status.

The federal government must not use immigration enforcement to punish and filter out ideas disfavored by the administration. It must also afford due process to anyone facing arrest and detention, and must be clear and transparent about the basis for its actions, to avoid chilling protected speech. To that end, we request answers to the following questions:

What was the specific legal and factual basis for Mr. Khalil’s arrest on March 8?

What is the specific legal and factual basis for Mr. Khalil’s detention?

What is the specific legal and factual basis on which you are seeking revocation of Mr. Khalil’s green card?

Will Mr. Khalil be afforded the due process protections required by U.S. law?

Is it your intention to seek the revocation of lawful immigration status on the basis of speech protected by the First Amendment?

— Carolyn Iodice (2025), FIRE Letter to Trump Administration Officials on Detention of Mahmoud Khalil
Foundation for Individual Rights and Expression, March 10, 2025

Reading: Adam Mastroianni, “Science Is A Strong-Link Problem”

Shared Article from experimental-history.com

Science is a strong-link problem

OR: How to eat fewer asparagus beetles

Adam Mastroianni @ experimental-history.com


There are two kinds of problems in the world: strong-link problems and weak-link problems.

Weak-link problems are problems where the overall quality depends on how good the worst stuff is. You fix weak-link problems by making the weakest links stronger, or by eliminating them entirely.

. . .

It’s easy to assume that all problems are like this, but they’re not. Some problems are strong-link problems: overall quality depends on how good the best stuff is, and the bad stuff barely matters. Like music, for instance. You listen to the stuff you like the most and ignore the rest.

. . .

Figuring out whether a problem is strong-link or weak-link is important because the way you solve them is totally different:

When you have a STRONG-LINK problem:

  • Increase outliers/variance/weirdness because you’ll benefit from having more very good things
  • Don’t gatekeep because you might accidentally keep the best out
  • Ignore the worst
  • Improve the best
  • Accept risk, because the downside doesn’t matter.

When you have a WEAK-LINK problem:

  • Decrease outliers/variance/weirdness because you’ll be harmed by having more very bad things
  • Gatekeep because it keeps the worst out
  • Improve the worst
  • Ignore the best
  • Avoid risk, because the downside is all that matters

. . .

Science is a strong-link problem.

In the long run, the best stuff is basically all that matters, and the bad stuff doesn’t matter at all. The history of science is littered with the skulls of dead theories.

. . . Here’s the crazy thing: most people treat science like it’s a weak-link problem….

— Adam Mastroianni, Science Is A Strong-Link Problem
Experimental History, 11 April 2023

An average mazing of mistakes, / The kind that everybody makes / Set random intervals apart.

By A.E. Stallings, from POETRY (May 2020); recently featured on Poetry Foundation’s Audio Poem of the day podcast.

Daedal

To build a labyrinth it takes
A twisted mind, a puzzled art,
A fractal branching of mistakes.

Drag out the shovels and the rakes,
The spirit level, sacred chart.
To build a labyrinth it takes

Shadows, stones, a way that snakes
And ladders to its shaky start;
An average mazing of mistakes,

The kind that everybody makes,
Set random intervals apart.
To build a labyrinth it takes

Dead ends that seem like lucky breaks,
The paths of bats that weave and dart
Through limestone caverns of mistakes.

The shaken Etch A Sketch awakes
A lost child buried in its heart.
To build a labyrinth it takes
Some good intentions, some mistakes.

— A.E. Stallings (2020)
Daedal, in POETRY (May 2020)

Rad Geek, to-day:

What I’m Reading: Virginia Postrel, “The World of Tomorrow” (Works in Progress, December 2024)

Shared Article from worksinprogress.co

The world of tomorrow - Works in Progress

When the future arrived, it felt… ordinary. What happened to the glamour of tomorrow?

worksinprogress.co


Progress used to be glamorous. For the first two thirds of the twentieth-century, the terms modern, future, and world of tomorrow shimmered with promise.

Glamour is more than a synonym for fashion or celebrity, although these things can certainly be glamorous. So can a holiday resort, a city, or a career. The military can be glamorous, as can technology, science, or the religious life. It all depends on the audience. Glamour is a form of communication that, like humor, we recognize by its characteristic effect. Something is glamorous when it inspires a sense of projection and longing: if only …

Whatever its incarnation, glamour offers a promise of escape and transformation. It focuses deep, often unarticulated longings on an image or idea that makes them feel attainable. Both the longings – for wealth, happiness, security, comfort, recognition, adventure, love, tranquility, freedom, or respect — and the objects that represent them vary from person to person, culture to culture, era to era. In the twentieth-century, the future was a glamorous concept. . . .

— Virginia Postrel, The World of Tomorrow
Works in Progress (December 2024)

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