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Posts filed under Free Culture

Re: Guy Claims He Owns The Idea Of Oprah Visiting Australia, Plans To Sue

Guy Claims He Owns The Idea Of Oprah Visiting Australia, Plans To Sue. Techdirt (2011-01-18):

When you think that ideas are ownable, you get absolutely ridiculous scenarios, such as the idea that anyone could ever “own” the idea of Oprah Winfrey visiting Australia. And yet, a dive boat operator in Australia is planning to sue Tourism Australia, because of Oprah Winfrey’s recent visit. You see,…

The Australo-Galambosian strikes back. Hey, a man’s got a right to defend his Primary Property.

(Via Kevin Carson, who I will not be paying $5 for the idea. Sorry, dude.)

Forever and Ever, Amen

RT @samablog: The real scandal is that a band that broke up over 40 years ago still enjoys the protection of copyright #Beatles #iTunes. Mark's Firehose (2010-11-17).

But without lifetime-plus copyright, how will Sir Paul McCartney ever manage to put food on the table? If he doesn’t get that extra $0.99/song tariff until decades after his death, how will artists ever be properly incentivized to make music?

(Forwarded thanks to Mark Pilgrim.)

Wednesday Lazy Linking

Your Broken Business Model Is Not My Problem

Bounty Markets for Open-Access eBooks. Center for the Study of Innovative Freedom (2010-10-25):

From "go to hellman" Bounty Markets for Open-Access eBooks In January 1773, Wolfgang Amadeus Mozart placed advertisements asking patrons to "subscribe" to the three piano concertos he was writing. If he received enough support, the concertos would be finished by April, and subscribers would receive beautifully copied manuscripts. More importantly,…

Q: Without intellectual protectionism to sustain a massive system of corporate marketing, record companies, and advances for artists, how will creators ever be able to support their work? In a freed market with freed copying and freed exchange, how would we ever marshal the resources we need to sustain a flourishing musical culture?

A: Let’s ask a minor musician of the past few centuries — Wolfgang Amadeus Mozart — how he did it.

A broken, top-heavy, capital-intensive business model in music has nothing to do with the needs of a flourishing free culture. It has everything to do with grants of monopoly privilege, by the state, to entrenched incumbent firms, and the systematic distortion and deformation of the whole network of musical commerce around the gravity-well of those coerced monopoly profits. The monopolists’ broken business model is not our problem, and should not be forced on the rest of us. Music will do fine without it — just ask Mozart.

Wednesday Lazy Linking

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