(Via Austro-Athenian Empire 2009-03-21.)

The office at the Adiv fabric-printing shop in south Tel Aviv handles a constant stream of customers, many of them soldiers in uniform, who come to order custom clothing featuring their unit’s insignia, usually accompanied by a slogan and drawing of their choosing. Elsewhere on the premises, the sketches are turned into plates used for imprinting the ordered items, mainly T-shirts and baseball caps, but also hoodies, fleece jackets and pants. A young Arab man from Jaffa supervises the workers who imprint the words and pictures, and afterward hands over the finished product.

Dead babies, mothers weeping on their children’s graves, a gun aimed at a child and bombed-out mosques — these are a few examples of the images Israel Defense Forces soldiers design these days to print on shirts they order to mark the end of training, or of field duty. The slogans accompanying the drawings are not exactly anemic either: A T-shirt for infantry snipers bears the inscription Better use Durex, next to a picture of a dead Palestinian baby, with his weeping mother and a teddy bear beside him. A sharpshooter’s T-shirt from the Givati Brigade’s Shaked battalion shows a pregnant Palestinian woman with a bull’s-eye superimposed on her belly, with the slogan, in English, 1 shot, 2 kills. A graduation shirt for those who have completed another snipers course depicts a Palestinian baby, who grows into a combative boy and then an armed adult, with the inscription, No matter how it begins, we’ll put an end to it.

. . . A few of the images underscore actions whose existence the army officially denies – such as confirming the kill (shooting a bullet into an enemy victim’s head from close range, to ensure he is dead), or harming religious sites, or female or child non-combatants. In many cases, the content is submitted for approval to one of the unit’s commanders. The latter, however, do not always have control over what gets printed, because the artwork is a private initiative of soldiers that they never hear about. Drawings or slogans previously banned in certain units have been approved for distribution elsewhere. For example, shirts declaring, We won’t chill 'til we confirm the kill were banned in the past (the IDF claims that the practice doesn’t exist), yet the Haruv battalion printed some last year.

The slogan Let every Arab mother know that her son’s fate is in my hands! had previously been banned for use on another infantry unit’s shirt. A Givati soldier said this week, however, that at the end of last year, his platoon printed up dozens of shirts, fleece jackets and pants bearing this slogan.

It has a drawing depicting a soldier as the Angel of Death, next to a gun and an Arab town, he explains. The text was very powerful. The funniest part was that when our soldier came to get the shirts, the man who printed them was an Arab, and the soldier felt so bad that he told the girl at the counter to bring them to him.

— Uri Blau, Ha'aretz (2009-03-20): Dead Palestinian babies and bombed mosques – IDF fashion 2009

One of the most consistent themes running through the designs for these t-shirts is the use of sexualized violence — in particular, cartoons of rape and verbal threats of rape against women and men identified with the enemy — as the punchline and the basis for bonding among the men in uniform.

There are also plenty of shirts with blatant sexual messages [sic –R.G.]. For example, the Lavi battalion produced a shirt featuring a drawing of a soldier next to a young woman with bruises, and the slogan, Bet you got raped!

. . . After Operation Cast Lead [the Israeli government’s invasion of Gaza from December 2008 – January 2009], soldiers from that battalion printed a T-shirt depicting a vulture sexually penetrating Hamas’ prime minister, Ismail Haniyeh, accompanied by a particularly graphic slogan. S., a soldier in the platoon that ordered the shirt, said the idea came from a similar shirt, printed after the Second Lebanon War, that featured Hassan Nasrallah instead of Haniyeh. . . .

[Ha'aretz:] What’s the problem with this shirt?

S.: It bothers some people to see these things, from a religious standpoint …

. . .

[IDF veteran Yossi] Kaufman has also been exposed to T-shirts of the sort described here. I know there are shirts like these, he says. I’ve heard and also seen a little. These are not shirts that soldiers can wear in civilian life, because they would get stoned, nor at a battalion get-together, because the battalion commander would be pissed off. They wear them on very rare occasions. There’s all sorts of black humor stuff, mainly from snipers . . . . There’s a Golani or Givati shirt of a soldier raping a girl, and underneath it says, No virgins, no terror attacks. I laughed, but it was pretty awful. When I was asked once to draw things like that, I said it wasn’t appropriate.

. . .

Sociologist Dr. Orna Sasson-Levy, of Bar-Ilan University, author of Identities in Uniform: Masculinities and Femininities in the Israeli Military, said that the phenomenon is part of a radicalization process the entire country is undergoing, and the soldiers are at its forefront. I think that ever since the second intifada there has been a continual shift to the right. The pullout from Gaza and its outcome — the calm that never arrived — led to a further shift rightward.

This tendency is most strikingly evident among soldiers who encounter various situations in the territories on a daily basis. There is less meticulousness than in the past, and increasing callousness. There is a perception that the Palestinian is not a person, a human being entitled to basic rights, and therefore anything may be done to him. [sic –R.G.]

Could the printing of clothing be viewed also as a means of venting aggression?

Sasson-Levy: No. I think it strengthens and stimulates aggression and legitimizes it. What disturbs me is that a shirt is something that has permanence. The soldiers later wear it in civilian life; their girlfriends wear it afterward. It is not a statement, but rather something physical that remains, that is out there in the world. Beyond that, I think the link made between sexist views and nationalist views, as in the Screw Haniyeh shirt, is interesting. National chauvinism and gender chauvinism combine and strengthen one another. It establishes a masculinity shaped by violent aggression toward women and Arabs; a masculinity that considers it legitimate to speak in a crude and violent manner toward women and Arabs.

Col. (res.) Ron Levy began his military service in the Sayeret Matkal elite commando force before the Six-Day War. He was the IDF’s chief psychologist, and headed the army’s mental health department in the 1980s.

Levy: I’m familiar with things of this sort going back 40, 50 years, and each time they take a different form. Psychologically speaking, this is one of the ways in which soldiers project their anger, frustration and violence. It is a certain expression of things, which I call below the belt. [sic –R.G.]

— Uri Blau, Ha'aretz (2009-03-20): Dead Palestinian babies and bombed mosques – IDF fashion 2009

See also:

• GT 2007-12-16: Our boys in uniform
• GT 2007-12-02: Men in Uniform
• gT 2006-07-31: War and Manhood

It's Sunday. Everybody get Shameless.

What have you been up to this week? Write anything? Leave a link and a short description for your post in the comments. Or fire away about anything else you might want to talk about.

It's done a lot. We have a lot of prisoners in there totally naked. — Timothy Swanson, Sheriff of Stark County, Ohio.

STARK COUNTY — A story that already has people talking nationwide is certain to get more attention with a billboard that encourages former female inmates to report jail abuse.

The billboard along Route 62 near Root Avenue in Stark County was put up as a result of the civil lawsuit brought by Hope Steffey against Stark County Sheriff Tim Swanson.

Steffey’s clothes were forcibly removed by both male and female deputies and she was left completely naked inside the Stark county jail for six hours.

Sheriff Swanson says Steffey was considered suicidal so her clothes had to be removed for her own safety. Steffey has denied she was suicidal.

The woman’s lawyers discovered during the lawsuit that at least 128 women between 1999 and 2007 were strip-searched or forced to remove their clothing or placed on suicide watch, homicide watch or naked detention.

The lawyers were unable to obtain the names of these women due to privacy rights. They are using a billboard along a busy four lane road to encourage these women to come forward and to tell their stories.

— Tom Meyer, WKYC (2009-03-12): Investigator Exclusive: Billboard encourages women to report jail abuse

What is becoming clear is that Sheriff Tim Swanson and his goon squad not only have convinced themselves that this kind of brutality is sometimes acceptable, but also that they have an especially broad understanding of the sort of situation that calls for it, and that they are especially willing to use it as a form of humiliating retaliation, in order to teach uppity or unruly women a lesson, under color of the law. And then, to crown all, to further insult the victim by proclaiming that they did it all For Her Own Good. The Stark County sherriff's office are nothing more and nothing less than a pack of dangerous sexual predators, and their uniforms and badges don't make them any better than any other gang of serial rapists.

— GT 2008-05-10: Rapists in uniform #3: A sixth woman comes forward

See also:

• GT 2008-02-05: Rapists in uniform
• GT 2008-03-07: Rapists in uniform #2: four more women come forward
• GT 2008-03-08: In Their Own Words: Just following orders edition
• GT 2008-05-10: Rapists in uniform #3: a sixth woman comes forward
• GT 2008-06-23: We need government cops and government courts because private protection forces and private arbitrators would be accountable to the powerful and well-connected instead of being accountable to the people. (#2)
• GT 2008-11-13: Rapists in uniform #4: Standard Operating Procedure
• GT 2008-09-14: Omerta
• GT 2009-01-31: Rapists in uniform #5: on invasions of privacy

One of the difficulties in having serious conversations about cultural conservatism — both here and abroad — is how often it turns out that what the so-called conservative wishes to preserve or to restore the conditions of a past that never existed. When this kind of mythistory is used to pass off modern authoritarian’s political desiderata as if they were accurate representations of history, both the pseudotraditionalists, and their self-styled progressive opponents, tend to take for granted that history must have been whatever modern political conservatives want it to have been; they just argue over whether that history is a good thing or a bad thing, and so whether to join in the march of Progress or to stand athwart history yelling Stop! In reality, though, antiquity is always a much more complicated affair than simple-minded political progress narratives would make it. And often it is exactly the opposite. Take, for instance, the story of queer eroticism in Iran, where — setting aside the propaganda of the Ayatollahs and the colonialist liberals both — it becomes clear that medieval Iran was full of passionate expressions of same-sex eroticism and same-sex romantic love, and that political homophobia, far from being an ingrown feature of traditional culture or religion, is in fact a colonial import, which came into Iranian political culture mainly through the modernizing ideologies of Marxism and Westernizing progressive nationalism.

When Iranian President Mahmoud Ahmadinejad made his infamous claim at a September 2007 Columbia University appearance that In Iran, we don’t have homosexuals like in your country, the world laughed at the absurdity of this pretense.

Now, a forthcoming book by a leading Iranian scholar in exile, which details both the long history of homosexuality in that nation and the origins of the campaign to erase its traces, not only provides a superlative reply to Ahmadinejad, but demonstrates forcefully that political homophobia was a Western import to a culture in which same-sex relations were widely tolerated and frequently celebrated for well over a thousand years. Sexual Politics in Modern Iran, [by Janet Afary,] to be published at the end of next month by Cambridge University Press, is a stunningly researched history and analysis of the evolution of gender and sexuality that will provide a transcendent tool both to the vibrant Iranian women’s movement today fighting the repression of the ayatollahs and to Iranian same-sexers hoping for liberation from a theocracy that condemns them to torture and death.

In her new book, Afary’s extensive section on pre-modern Iran, documented by a close reading of ancient texts, portrays the dominant form of same-sex relations as a highly-codified status-defined homosexuality, in which an older man — presumably the active partner in sex — acquired a younger partner, or amrad. . . . Afary dissects how classical Persian literature (twelfth to fifteenth centuries)…overflowed with same-sex themes (such as passionate homoerotic allusions, symbolism, and even explicit references to beautiful young boys.) This was true not only of the Sufi masters of this classical period but of the poems of the great twentieth-century poet Iraj Mirza (1874-1926)… Classical poets also celebrated homosexual relationships between kings and their pages.

Afary also writes that homosexuality and homoerotic expressions were embraced in numerous other public spaces beyond the royal court, from monasteries and seminaries to taverns, military camps, gymnasiums, bathhouses, and coffeehouses… Until the mid-seventeenth century, male houses of prostitution (amrad khaneh) were recognized, tax-paying establishments.

. . . Unmistakably lesbian sigeh courtship rituals, which continued from the classical period into the twentieth century, were also codified: Tradition dictated that one [woman] who sought another as sister approached a love broker to negotiate the matter. The broker took a tray of sweets to the prospective beloved. In the middle of the tray was a carefully placed dildo or doll made of wax or leather. If the beloved agreed to the proposal, she threw a sequined white scarf (akin to a wedding veil) over the tray… If she was not interested, she threw a black scarf on the tray before sending it back. As late as the last half of the 19th century and the early years of the 20th, Iranian society remained accepting of many male and female homoerotic practices… Consensual and semi-open pederastic relations between adult men and amrads were common within various sectors of society. What Afary terms a romantic bisexuality born in the classical period remained prevalent at court and among elite men and women, and a form of serial love (‘eshq-e mosalsal) was commonly practiced [in which] their love could shift back and forth from girl to boy and back to girl.

In a lengthy section of her book entitled Toward a Westernized Modernity, Afary demonstrates how the trend toward modernization which emerged during the Constitutional Revolution of 1906 and which gave the Persian monarchy its first parliament was heavily influenced by concepts harvested from the West.

One of her most stunning revelations is how an Azeri-language newspaper edited and published in the Russian Caucuses, Molla Nasreddin (or MN, which appeared from 1906 to 1931) influenced this Iranian Revolution with a significant new discourse on gender and sexuality, sharing Marx’s well-documented contempt for homosexuals. With an editorial board that embraced Russian social democratic concepts, including women’s rights, MN was also the first paper in the Shi’i Muslim world to endorse normative heterosexuality, echoing Marx’s well-documented contempt for homosexuality. Afary writes that this illustrated satirical paper, which circulated among Iranian intellectuals and ordinary people alike, was enormously popular in the region because of its graphic cartoons.

MN conflated homosexuality and pedophilia, and attacked clerical teachers and leaders for molesting young boys, played upon feelings of contempt for passive homosexuals, suggested that elite men who kept amrad concubines had a vested interested in maintaining the (male) homosocial public spaces where semi-covert pederasty was tolerated, and mocked the rites of exchanging brotherhood vows before a mollah and compared it to a wedding ceremony. It was in this way that a discourse of political homophobia developed in Europe, which insisted that only heterosexuality could be the norm, was introduced into Iran.

MN‘s attacks on homosexuality would shape Iranian debates on sexuality for the next century, and it became a model for several Iranian newspapers of the era, which echoed its attacks on the conservative clergy and leadership for homosexual practices. In the years that followed, Iranian revolutionaries commonly berated major political figures for their sexual transgressions, and revolutionary leaflets accused adult men of having homosexual sex with other adult men, of thirty-year-olds propositioning fifty-year-olds and twenty-year-olds propositioning forty-year-olds, right in front of the Shah. Some leaflets repeated the old allegation that major political figures had been amrads in their youth.

. . . The expansion of radio, television, and print media in the 1940s — including a widely read daily, Parcham, published from 1941 by Kasravi’s Pak Dini movement — resulted in a nationwide discussion about the evils of pederasty and, ultimately, in significant official censorship of literature. References to same-sex love and the love of boys were eliminated in textbooks and even in new editions of classical poetry. Classical poems were now illustrated by miniature paintings celebrating heterosexual, rather than homosexual, love and students were led to believe that the love object was always a woman, even when the text directly contradicted that assumption, Arafy writes.

In the context of a triumphant censorship that erased from the popular collective memory the enormous literary and cultural heritage of what Afary terms the ethics of male love in the classical Persian period, it is hardly surprising as Afary earlier noted in Foucault and the Iranian Revolution that the virulence of the current Iranian regime’s anti-homosexual repression stems in part from the role homosexuality played in the 1979 revolution that brought the Ayatollah Khomeini and his followers to power.

In that earlier work, she and her co-author, Kevin B. Anderson, wrote: There is… a long tradition in nationalist movements of consolidating power through narratives that affirm patriarchy and compulsory heterosexuality, attributing sexual abnormality and immorality to a corrupt ruling elite that is about to be overthrown and/or is complicit with foreign imperialism ….

— Doug Ireland, Direland (2009-02-27): Iran’s Hidden Homosexual History

Read the whole thing.

(Via Jesse Walker 2009-03-09.)

Received in my inbox a couple of days ago. The warning is generated automatically by Thunderbird, using some heuristics. Below the fold, the ad copy informs us that the agrarian antifederalists who forced the passage of the Bill of Rights were, it turns out, the ideological forerunners of the nationalistic, pro-forced-sterilization, technocratic Progressives of the late 19th and early 20th centuries, and of today’s left-liberal Barack Obama voters.